Don't Sleep, There Are Snakes is a book that explores the Amazon and its ecology, history, peoples, and politics. The author recounts their experience of living in an Amazonian village with their family, attempting to continue an American Christian family culture. The book also delves into the challenges of learning the local language and the unique aspects of the culture, such as their lack of words for expressions like thank you. The book includes stories recorded on tape, such as an interview with a Pirahã man conducted in Portuguese, and an attempt to share the gospel with the villagers, supplemented by a slide show of New Testament scenes.
Characteristics | Values |
---|---|
Book Title | Don't Sleep, There Are Snakes |
Author | Daniel Everett |
Setting | Amazonian Village |
Language | Pirahã |
Tape Content | Translation of Mark's Gospel |
Tape Production | Music, Sound Effects, Professional Editing |
Tape Purpose | Spiritual Influence, Language Learning |
Tape Impact | Limited Spiritual Influence |
What You'll Learn
The Pirahã language
One of Everett's initial attempts to share the gospel with the Pirahã people involved recording an audio tape. He worked with a Pirahã man, who translated Everett's lines into the Pirahã language. This tape was then professionally edited, with added music and sound effects. However, it became clear that the Pirahã people were only interested in the beheading of John the Baptist, and they would repeatedly ask to hear that part again.
To address this, Everett supplemented the audio recordings with a slide show of commercially produced pictures depicting New Testament scenes, such as Jesus and the apostles. Despite these efforts, the Pirahã people, including an older man named Kaaxaóoi, did not seem spiritually impacted by the gospel. Kaaxaóoi even stated that the women were afraid of Jesus and that they did not want him.
To aid in his interactions with the Pirahã people, Everett recorded a tape in their language, introducing himself and expressing his desire to learn their language. The Pirahã people were familiar with two-way radios, so this method helped Everett establish himself and begin his investigations into their culture and language.
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The author's experience of living with the Pirahã
The author, Daniel Everett, recounts his experience of living among the Pirahã people in the Amazon rainforest. He describes the challenges of adapting to their unique culture and language, which lacks concepts such as gratitude and apology. The Pirahã's way of life is vastly different from that of Everett's family, who attempt to maintain their American Christian traditions in the village.
Everett and his family face health issues, including malaria, and struggle with the lack of privacy and isolation from the outside world. He describes the difficulty of translating and communicating with the Pirahã, who have limited interaction with outsiders. To aid in his linguistic research, Everett records a tape in the Pirahã language, introducing himself and his intentions to learn their language. He also records a Pirahã man reading the translation of the gospel, adding music and sound effects to engage the listeners.
The Pirahã's reaction to the gospel tape is unexpected, as they only show interest in the beheading of John the Baptist. Everett supplements the audio recordings with a slide show of New Testament scenes, but this also yields surprising results when an older Pirahã man expresses that "the women are afraid of Jesus."
Everett's experience highlights the challenges of cross-cultural communication and the complexities of understanding a different way of life. He learns that translating words is not enough, and one must also navigate cultural differences and the unique perspectives of the Pirahã people.
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The Pirahã people and their culture
The Pirahã people are an indigenous group native to the Amazon rainforest in Brazil. They live in a small village along the Amazon River, which flows over 4000 miles from Peru to the Atlantic Ocean. The river is more than 200 miles wide at its mouth, with a delta that is larger than Switzerland. The Amazon is a place of mystery and intrigue, having captured the imaginations of Europeans and their descendants since the 16th century.
The Pirahã language is unique and differs significantly from other languages. They have no words for common expressions like "thank you" or "I'm sorry," which can be surprising to outsiders. When a Pirahã person arrives in the village, they might simply state their arrival, without expecting a response. Similarly, when given something, they may acknowledge the transaction but without expressing gratitude in the same way that other cultures do.
The Pirahã people have a distinct culture and way of life. They are familiar with technology like two-way radios and tape recorders. They have also shown interest in the gospel, particularly captivated by the beheading of John the Baptist. However, they have their own spiritual beliefs, and some have expressed fear or discomfort towards Jesus.
The Pirahã people have a close-knit community, as evidenced by their lack of privacy. They live in close quarters and are curious about each other's lives, as observed by the author when his family fell ill with malaria. Despite their differences, the author and his family attempted to integrate by homeschooling their children and managing their household.
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The author's loss of faith
In 'Don't Sleep, There Are Snakes', author Daniel Everett details his experiences as a Christian missionary in the Amazon, attempting to convert the Pirahã people to Christianity. Everett and his family immerse themselves in the Pirahã community, learning their language and culture. However, their efforts to spread the gospel are met with challenges and unexpected outcomes, leading Everett to question his faith and the effectiveness of his missionary work.
Initially, Everett is excited about the Pirahã people's interest in the Bible. He records a tape of the gospel, translated into the Pirahã language, hoping to engage them spiritually. However, the Pirahã people seem fixated on the violent episode of John the Baptist's beheading, prompting Everett to realise that his accent might be a barrier to understanding. He enlists a Pirahã man to re-record the translation, adding music and sound effects for a more compelling delivery.
Despite these efforts, Everett observes that the tapes have little spiritual influence on the Pirahã people. They do not seem to grasp the underlying messages, and an older Pirahã man, Kaaxaóoi, expresses fear and rejection of Jesus. This realisation prompts Everett to supplement the tapes with a slideshow of New Testament scenes, hoping to provide a more comprehensive introduction to Christianity.
However, the cultural and linguistic differences between Everett's Christian background and the Pirahã way of life create a significant barrier to communication. Everett discovers that the Pirahã language lacks words for concepts like "thanks" and "I'm sorry," which surprises outsiders. The Pirahã people's direct communication style contrasts with the expressive norms of other cultures, including the American Christian culture that Everett and his family bring with them.
As Everett grapples with the health challenges faced by his family, including malaria, diarrhea, and isolation from medical care, he also confronts the limitations of his missionary endeavours. The Pirahã people's unique perspective on the world and their lack of spiritual connection to Christianity cause Everett to question his assumptions about faith and evangelism.
Through these experiences, Everett undergoes a transformative journey that challenges his faith and cultural beliefs. 'Don't Sleep, There Are Snakes' becomes a testament to the complexities of cross-cultural communication and the unexpected ways in which one's beliefs can be tested in unfamiliar environments.
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The author's missionary work
Everett and his family, including his wife Keren and daughter Shannon, immerse themselves in the Pirahã culture, attempting to continue their American Christian family traditions in this new and unfamiliar setting. They face numerous challenges, including a lack of privacy, health issues such as malaria and diarrhoea, and the difficulty of learning the Pirahã language. Everett also discusses the unique aspects of Pirahã culture, such as their lack of words for expressions like "thank you" or "I'm sorry", and their familiarity with technology like two-way radios.
A significant part of Everett's missionary work involves trying to introduce the Pirahã to the Christian gospel. He records a tape in the Pirahã language, with a native speaker repeating his translations, and adds music and sound effects to make it more engaging. However, the Pirahã people seem most interested in the beheading of John the Baptist, and are not receptive to the spiritual message. Everett then tries a different approach, supplementing the audio recordings with a slide show of New Testament scenes, but this also fails to resonate with the Pirahã, who find Jesus frightening.
Despite these setbacks, Everett persists in his missionary work, even enlisting the help of a Pirahã man, Kaaxaóoi, to improve his understanding of the language. Everett's dedication to his work, even in the face of adversity, is a central theme of the book, offering a unique insight into the life of a missionary and the challenges of translating both language and culture.
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Frequently asked questions
The book is about the author's experience living in an Amazonian village with his family and attempting to carry on an American Christian family culture. It details the challenges they faced, including language barriers, cultural differences, and health issues.
The author recorded tapes in Pirahã to aid a fellow investigator in his efforts to establish himself among the Pirahãs. The tapes introduced him to the people, conveyed his desire to learn their language, and requested their assistance in building a house.
The Pirahãs initially seemed to be listening to the gospel tapes, particularly captivated by the beheading of John the Baptist. However, it later became clear that the tapes had little spiritual influence on them, and they showed more interest in the recorder itself.
Yes, the author and his family faced several challenges. For example, they struggled with a lack of privacy, health issues, and difficulty adapting to the local culture and language.