Subway Slumber: A Cautionary Tale For Darling Commuters

Don't Sleep in the Subway, Darling is a song by Petula Clark, a British singer and entertainer. Clark, born in 1932, began her career at age seven and quickly became a fixture on British radio programs. By the 1950s, she had become a superstar in the UK, with a string of films and hit songs. Don't Sleep in the Subway, Darling is one of Clark's many hits and was released in 1989 as part of her Collection album. The song's lyrics include references to wandering around on your own little cloud and walking out when we both disagree. With a duration of just over three minutes, it's a concise and catchy tune that showcases Clark's sophisticated pop sound and crystalline vocals.

The song was released in 1989 as part of the album 'Collection'

"Don't Sleep in the Subway, Darling" is a song by Petula Clark, released in 1967 as a single. It was written by Tony Hatch and Jackie Trent. The song was constructed from three different sections of music previously composed by Hatch, with the style changing from pop to symphonic and then, for the chorus, to a Beach Boys-like melody.

In the lyrics, the narrator advises her sweetheart not to storm out after an argument due to his "foolish pride". If he does, he will sleep in the subway or "stand in the pouring rain" to prove his point. The song's title was inspired by the 1961-62 Broadway musical "Subways Are for Sleeping".

"Don't Sleep in the Subway" was nominated for a 1968 Grammy Award for Best Contemporary Song, but lost to "Up, Up and Away" by The 5th Dimension. It was Clark's final US Top Ten single, peaking at No.5 on the US charts in July 1967. It also reached No.12 in the UK, marking a decline in Clark's UK chart profile.

Twelve years later, in 1989, the song was included as track #10 on Clark's album "Collection". The duration of the song on the album is 3 minutes and 9 seconds.

It is performed by Petula Clark

"Don't Sleep in the Subway, Darling" is a song performed by Petula Clark, which was released as a single in April 1967. The song was written by Tony Hatch and Jackie Trent. It is featured on Clark's 1967 album, "These Are My Songs".

The song is about a couple who have a lot of disagreements. The man often retreats into his own world instead of engaging with the issue. When he threatens to walk out on her, the woman tells him that it's better to find a solution and make up. When she tells him, "don't sleep in the subway", she is asking him to spend the night with her instead of leaving.

The song is constructed from three different sections of music previously composed by Hatch, changing in style from pop to symphonic and then, for the chorus, to a Beach Boys-like melody.

"Don't Sleep in the Subway" was Clark's last hit to reach the Top 10 in the US, peaking at No.5 on the charts in July 1967. It was also her final No.1 hit on the Billboard Easy Listening chart. The song was nominated for a Grammy award for best contemporary song in 1968 but lost to "Up, Up and Away" by The 5th Dimension.

In an interview, Clark stated that "Don't Sleep in the Subway" was one of her favourite songs, although she was not quite sure what it was about.

The song is 3 minutes and 9 seconds long

"Don't Sleep in the Subway, Darling" is a song by Petula Clark. It is track #10 from the album Collection, which was released in 1989. The song is 3 minutes and 9 seconds long.

The song is a part of Petula Clark's legacy as the most commercially successful female singer in British chart history. With a career that began at the age of seven, Clark has entertained British troops, hosted her own radio show, and acted in films. By the 1950s, she was a UK superstar, and her success continued with hits in France and the US.

"Don't Sleep in the Subway, Darling" is one of Clark's later works, released in 1989, but it still charted on both sides of the Atlantic. The song's short length of 3 minutes and 9 seconds is typical of pop songs, with catchy melodies and concise lyrics that were designed to boost the morale of wartime audiences.

The lyrics of "Don't Sleep in the Subway, Darling" convey a message of compromise and reconciliation in relationships. The song encourages forgetting foolish pride and not pretending to have somewhere else to be when there is a disagreement. The refrain, "Don't sleep in the subway, darlin' / Don't stand in the pouring rain," creates a sense of urgency and care, emphasizing the importance of being together and avoiding the potential dangers and discomforts of sleeping in a subway or standing in the rain.

In just 3 minutes and 9 seconds, "Don't Sleep in the Subway, Darling" delivers a powerful message of love and reconciliation, showcasing Petula Clark's ability to capture complex emotions in a concise and memorable way.

It charted on both sides of the Atlantic

"Don't Sleep in the Subway, Darling" is a song by Petula Clark, a British singer, who was born in 1932. By the 1950s, Clark had become a UK superstar, with a string of films under her belt and a number of hit songs. However, she struggled to shake off her adolescent image. After marrying and moving to France, she found a new, more mature image and a strong fan base with hits like "Ya-Ya Twist" and "Chariot".

Riding the wave of the British Invasion, Clark finally broke into the US market in 1964 with the Grammy-winning "Downtown", which was the first single by a British woman to reach number one in the US. This was the first of a series of American Top Ten hits, including "I Know a Place" and "I Couldn't Live Without Your Love". At the same time, she remained popular in Europe, topping the British charts in 1967 with "This Is My Song".

As the 1960s came to a close, Clark's commercial success began to wane, but she still charted on both sides of the Atlantic with singles like "Don't Sleep in the Subway, Darling", "The Other Man's Grass Is Always Greener", and "Kiss Me Goodbye". The song "Don't Sleep in the Subway, Darling" was released in 1967 on Clark's album "Colour My World". It was written and produced by Tony Hatch, who was also responsible for many of Clark's other hits. The song is a warning to a lover who has a tendency to wander off, both physically and emotionally. The singer is asking her partner to stay with her and not sleep in the subway or stand in the pouring rain.

In addition to her music career, Clark also hosted her own BBC series and starred in the 1968 NBC television special "Petula". She also returned to acting, starring in the films "Finian's Rainbow" in 1968 and "Goodbye, Mr. Chips" in 1969. In later years, Clark focused on international touring and has continued to perform and record new music into the 2010s.

The lyrics include: Don't sleep in the subway, darlin' / Don't stand in the pouring rain

"Don't Sleep in the Subway, Darling" is a song by Petula Clark, the most commercially successful female singer in British chart history. The song was released in 1968, at a time when Clark's commercial stature was slipping, although singles like "Don't Sleep on the Subway," "The Other Man's Grass Is Always Greener," and "Kiss Me Goodbye" still charted on both sides of the Atlantic.

The lyrics include:

> Don't sleep in the subway, darlin'

> Don't stand in the pouring rain

> Don't sleep in the subway, darlin'

> The night is long

> Forget your foolish pride

> Nothing's wrong

> Now you're beside me again

The song is about a lover's quarrel and the potential dangers of wandering around alone. The singer is warning their partner not to sleep in the subway or stand in the rain, perhaps a metaphor for the dangers of being alone and vulnerable. The line "forget your foolish pride" suggests that the partner may be too proud to admit they are wrong or too stubborn to try and work things out. However, the singer is still concerned for their partner's well-being and doesn't want them to be alone in the subway or standing in the rain. The song is a plea for the partner to come back and a reminder that the night is long and nothing is wrong now that they are together again.

The song has a sense of compromise and understanding, with the singer acknowledging that problems are often overrated and that goodbye doesn't mean anything when it's just for show. The song captures the complex emotions of a relationship, including the hurt that can come when egos are deflated and the realisation that sometimes it's necessary to let go of pride and compromise.

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